I approach painting as an exploration of balance, intuition, and perception, informed in part by the contemplative principles of meditation. My work investigates the relationship between color, form, and spatial tension, using shifts between transparency and opacity, brightness and restraint, to create rhythm, movement, and atmosphere within the composition. Deeply attuned to the ways colors interact and respond to one another, I liken their relationships to musical harmonies, where meaning emerges through contrast and connection. My process moves fluidly between spontaneous gesture and deliberate decision-making, alternating between instinctive mark-making and careful consideration of tone, balance, and structure. Whether completed quickly or developed over an extended period, each painting becomes part of an ongoing visual dialogue and evolving creative investigation.